A huge thank you to professor and poet Bill Aarnes for inviting me to Furman University last fall to give a reading and visit with his poetry class for a discussion. The reading was held on the evening of November 3 in McEachern Lecture Hall. Besides students (whose presence is always a joy), I was delighted to see in the audience several good friends, who were so kind to come out for the reading: Nancy Dew Taylor & Maggie, Claire Bateman, Terri McCord & Brian Slusher, Gil & Barbara Allen--my gratitude to you all.
The class visit the next afternoon was another joy. The students were eager to participate and had astute questions to ask me about my collection My Dear, Dear Stagger Grass, which they had read for the course. It was a class of about ten or eleven students, the perfect size for having a lively poetry discussion--and for learning from one another. Bill Aarnes has done an excellent job of bringing the class together into a close-knit group, which made my visit all the more enjoyable. Thank you again, Bill and student poets!
Blog of poet Susan Laughter Meyers, an update of publishing news and poetry events--mainly ones that I'm participating in, mainly in the Carolinas.
Showing posts with label Events: workshops/classes. Show all posts
Showing posts with label Events: workshops/classes. Show all posts
Tuesday, February 16, 2016
Furman University visit -- Nov. 3 and 4, 2015
Looking back on the Queens Univ. MFA alumni weekend, Oct. 8 - 11, 2015
What a treat to return to Queens University of Charlotte campus for an alumni weekend this fall. I was pleased to be in a manuscript workshop masterfully taught by Jon Pineda, who teaches in the Queens MFA program. In the workshop with me were three other poets, with whom I enjoyed exchanging book manuscripts and feedback: Torie Dailey, Geoffrey Hall, and Lee Stockdale. We were a close-knit fivesome, learning much from Jon and his good advice for our manuscripts.
I also enjoyed being on a publishing panel with two other alumni, as well as running the open mic after dinner on Friday night. Here was the weekend's schedule:
Thur., Oct. 8 Evening alumni reading: Clifford Garstang, Rebecca Gummere
Fri., Oct. 9 Publishing Panel: Clifford Garstang, Rebecca Gummere,
Susan Laughter Meyers
Craft Seminars
Reception & dinner, open mic
Sat., Oct. 10 Seminar
Workshops, 2 sessions
Book publishing seminar
Sun., Oct 11 Individual conferences
Lunch
I also enjoyed being on a publishing panel with two other alumni, as well as running the open mic after dinner on Friday night. Here was the weekend's schedule:
Thur., Oct. 8 Evening alumni reading: Clifford Garstang, Rebecca Gummere
Fri., Oct. 9 Publishing Panel: Clifford Garstang, Rebecca Gummere,
Susan Laughter Meyers
Craft Seminars
Reception & dinner, open mic
Sat., Oct. 10 Seminar
Workshops, 2 sessions
Book publishing seminar
Sun., Oct 11 Individual conferences
Lunch
Tuesday, November 17, 2015
Looking back--fondly!--on the 2015 Carolina Mountains Literary Festival (CMLF)
What a wonderful weekend the Carolina Mountains Literary Festival was back in September--the 11th and 12th--in charming Burnsville, NC. The groups in my two discussion sessions, as well as the poets in my poetry workshop, were bright and eager to participate. Each person there made the time with the groups that much more special. And what talent in the poetry workshop!
I'm grateful for being one of the presenters for this beautiful festival. The highlight was Saturday night's on-stage conversation between Ann Patchett and Barbara Kingsolver. So entertaining, memorable, and wise! If you have a chance to go next fall, don't miss it.
I'm grateful for being one of the presenters for this beautiful festival. The highlight was Saturday night's on-stage conversation between Ann Patchett and Barbara Kingsolver. So entertaining, memorable, and wise! If you have a chance to go next fall, don't miss it.
Sunday, August 09, 2015
Sept. 10-12: Carolina Mountains Literary Festival
I'm excited to be teaching a poetry workshop and presenting two poetry sessions at this wonderful fall festival -- a free literary celebration for readers (and writers). Come to Burnsville, NC!
The 10th Annual
The 10th Annual
Carolina Mountains Literary Festival
Thursday – Saturday, September 10-12, 2015
Our Earth…Our Time…Our Space…
Celebrate the stories of our shared earth. Reflect on our pasts and wonder about the possibilities for our futures.
Alan Gratz ~ Alexandra Duncan ~ Annette Saunooke Clapsaddle
Ann Patchett ~ Ashley Adams English ~ Barbara Bates Smith
Barbara Kingsolver ~ Beth Revis ~ Brent Martin ~ Lisa Blackburn
Lynn McLure ~ Sue Wasserman ~ Catherine Reid ~ Christopher Scotton
Hilda Downer ~ Jason Mott ~ Jay Erskine Leutz ~ Jeremy Jones
Jim Rogers ~ Marci Spencer ~ Mary Ann Claud ~ Mindi Meltz
Sara Gruen ~ Saro Lynch-Thomason ~ Shelby Stephenson
Susan Laughter Meyers ~ Wiley Cash ~ Will Harlen
The 10th Annual Carolina Mountains Literary Festival Thursday - Saturday, September 10-12, 2015 Our Earth...Our Time...Our Space... Celebrate the stories
CMLITFEST.ORG
Friday, April 17, 2015
Saturday, May 2: Workshop in Columbia, SC
The Poet as Seeker
With
Susan
Laughter Meyers, instructor
Saturday, May 2, 2015
10 until 3
"Not knowing when the dawn will
come, I open every door," says Emily Dickinson. What better way for a poet
to become seeker than to make the self available to possibility? As poets, we
have questions to ask, some without answers; leaps to make, risks to take;
mysteries to ponder. We must pay attention and be patient--which is to say, we
must be willing to listen to the poem as it is being written.
In this workshop we'll head out into the
unknown, as we read exemplary poems from our class packet and generate new work
of our own. (Feel free, too, to bring a poem draft that you're working on in an
attempt to reach a deeper level in some way.) As seekers, we'll follow Bernard
Malamud's advice to "Teach yourself to work in uncertainty." Who
knows where our poems will end up? Come, let us open every door--and window!
Susan
Hendricks invites you for a day of poetry
and expressive writing among friends
in the natural setting of river, forest and wildlife
and expressive writing among friends
in the natural setting of river, forest and wildlife
near
downtown Columbia
Register:
Registration fee: $40
By
mail to 5 Possum Run, Columbia, SC 29223
For Questions, phone 803-788-6826
For Questions, phone 803-788-6826
Limited to 25 participants
Directions will be provided to registered
participants
Susan
Laughter Meyers, of Givhans, SC, is the
author of My Dear, Dear Stagger Grass, winner of the Cider Press Review
Editors Prize. Her collection Keep and Give Away (University of South
Carolina Press, 2006) won the SC Poetry Book Prize, the SIBA Book Award for
Poetry, and the Brockman-Campbell Book Award.
A long-time writing instructor, she has an MFA from Queens University of
Charlotte. http://susanmeyers.blogspot.com
How I enjoyed teaching the PSSC/Emrys seminar
The poetry community in Greenville ,
SC , is a
talented, energetic one that I was delighted to be in the midst of for its
annual PSSC/Emrys seminar last month. Nancy Dew Taylor, a long-time leader in
both organizations, started this event in Greenville five
years ago—and what a contribution she has made to this region's literary
calendar with it. Seminar instructors so far have included Becky Gould
Gibson, Cathy Smith Bowers, Jillian Wiese, Phebe Davidson, and me. Each
year about 15-20 people gather for the opportunity to focus on a poetry topic—typically
pertaining to craft or poetics. The seminar can consist of lecture, discussion,
and writing—all as a way to further explore the day's subject. Thank you, Nancy
and attending poets, for your participation and help in illuminating our topic this year,
"Complicating the Poem."
The Poetry Society of South Carolina (PSSC) is proud to work with Emrys Foundation as sponsors of this event. Much appreciation to Emrys's president Vera Gomez for her leadership and for participating in the seminar.
Last month's event:
Saturday, Mar. 28
The Poetry Society of South Carolina (PSSC) is proud to work with Emrys Foundation as sponsors of this event. Much appreciation to Emrys's president Vera Gomez for her leadership and for participating in the seminar.
Last month's event:
Saturday, Mar. 28
Emrys/PSSC seminar: "Complicating the Poem"
Susan Laughter Meyers, instructor
10 a.m. - noon
Coldwell Banker Caine, 111 Williams, St.
Greenville, SC
Nancy Dew Taylor, coordinator
Nancy Dew Taylor, coordinator
Friday, February 27, 2015
Feb. 28: PSSC Writers' Group workshop -- "Writing toward a Poem's Mystery"
PSSC Writers' Group workshop:
"Writing toward a Poem's Mystery"
Saturday, Feb. 28
10 a.m. - 12 noon
Charleston Library Society
164 King St., Charleston, SC
Susan Laughter Meyers, instructor
Free for PSSC/CLS members & CofC students
$15 for all others
(PSSC membership, $25 annually; new members welcome.)
Contact: Susan at bardowl2@aol.com
"Writing toward a Poem's Mystery"
Saturday, Feb. 28
10 a.m. - 12 noon
Charleston Library Society
164 King St., Charleston, SC
Susan Laughter Meyers, instructor
Free for PSSC/CLS members & CofC students
$15 for all others
(PSSC membership, $25 annually; new members welcome.)
Contact: Susan at bardowl2@aol.com
Some of the
most enduring poems, those that bear repeated readings, can claim both clarity
and mystery. A poem’s mystery is achieved partly by its leaps, when much
of the work of connecting—of getting from here to there—is left to the reader. Attendees
are asked to bring a poem in progress, one that can benefit from greater
mystery. Discussion, writing activities, and workshop packet included.
Feb. 19: Poetry workshop -- "This, Too, Is Me: The Self-Portrait Poem"
Thursday, Feb. 19
OLLI at CCU, Litchfield
Workshop: "This, Too, Is Me:
The Self-Portrait Poem"
Susan Laughter Meyers, instructor
10 a.m - 2 p.m.
Litchfield Education Center
How I enjoyed gathering with our small group on a cold, cold day for a workshop on the self-portrait poem. We gathered around a conference table to read exemplary published poems and to write a group poem, as well as to each write a poem of our own. So many possible approaches to the self-portrait, and it was fun to hear the various approaches that workshop participants took.
Wednesday, October 15, 2014
Nov. 13 -- Poetry Workshop: Opening the Gates of Imagination
Every fall and late winter I look forward to teaching half-day workshops in the OLLI at CCU program at Litchfield, SC. The next one is less than a month away, and I'm busy working on it now. It's always an engaged, supportive
group eager to read, write, and discuss poetry. Here are the details:
Thursday, Nov. 13
OLLI at CCU, Litchfield
Workshop:
"Opening the Gates of Imagination"
Susan Laughter Meyers, instructor
10 a.m - 2 p.m.
$30 (plus $20 OLLI membership)
843-349-6584
_________________________________
Opening the Gates of the
Imagination
"I am certain of nothing
but the holiness of the Heart's affections and the truth of the
imagination," said John Keats. In this workshop we'll explore how the
imagination can evoke emotion in a poem. In-class writing,
discussion, class packet. Within two weeks after the workshop, participants
have the option of e-mailing a poem to the instructor for feedback. Lunch
can be brought or bought nearby.
Monday, April 28, 2014
Thursday, May 1: Poetry Critique Workshop
Poetry
Critique Workshop
Susan
Laughter Meyers, instructor
Thur., May
1
Litchfield
Education Ctr.
Litchfield/Pawleys
Island , SC
Registration:
$30, plus OLLI membership
For further
info: 843-234-3422
Our
critique session will give you an opportunity for a close reading of your
poem(s) by fellow poets. Our job is not to fix your poem but to help you find
ways to re-envision it. Please bring about 6-7 copies of 1-3 poems. Class
packet included, with a variety of revision strategies. Within two weeks after
the workshop, participants have the option of e-mailing a poem to the
instructor for feedback.
Wednesday, April 16, 2014
Sat., April 26: LILA workshop -- Complicating the Poem
LILA
Write
Charleston ! workshop:
"Complicating the Poem"
Susan Laughter
Meyers, instructor
Circular
Congregational Church
Registration: $30; $20 for LILA
members/students/seniors
To register: bardowl2[at]aol.com (bard+owl+2 . . .)
Like our
contemporary world, some poems are best understood as complexities. This
workshop will look at strategies for moving a poem draft from the simple to the
complex--from the linear to the braided, the multi-faceted. We'll be looking for
a variety of ways to delve into a subject that is better-served by the
complications of research, collage, associative leaps, as well as other
approaches that can enlarge and enliven the poem. And the ironic thing is this:
to complicate a poem is simple! (If you already have a chosen subject for a
poem, feel free to bring a draft or some notes/research.)
Why "complicate" a poem, you might
ask. Because certain poems--perhaps with a subject that leans toward being unwieldy--cannot contain themselves in a brief, simple, linear fashion. That's when it's time
to break the poem open to see where it wants to go, what approaches it wants to
take, who it wants to take with it, and how. We'll be exploring some of the possible
paths to take.
Please write me with any questions
you might have. As I do with all my workshops, I'll provide a class packet with
suggested writing activities, pertinent quotes, and resources for participants
to take home and turn to later for further investigation of how our
topic.
If you're in the area, I hope you can join us!
For more information about Lowcountry Initiative for the Literary Arts (LILA) events, check out the website here.
Tuesday, April 15, 2014
This year's Press 53 Gathering of Poets
What a great time I had at this year's Gathering of Poets in Winston-Salem, NC, on April 5. It was the fourth year that Press 53 and Jacar Press have cosponsored the event, and my second time attending (this year as faculty). Six of us were on this year's faculty: Jaki Shelton Green, Katherine Soniat, Metta Sama, Keith Flynn, Richard Krawiec, and I. We each taught the same workshop twice, once in the morning and once in the afternoon. I had the pleasure of sitting in on Katherine's and Metta's workshops, and I'm all the richer for those two experiences. My own workshop was called "Losing (Your) Intention and Finding a Poem," a subject which I thoroughly enjoyed investigating to prepare for the day. When thinking about what to teach in classes and workshops, I always choose a topic that I myself want to spend time on and learn from.
Every workshop that I taught or attended at the Gathering of Poets was filled with 15-20 engaged, inquisitive, knowledgeable poets who had much to offer all the others in the room. The sort of gathering that brings about learning and friendships! If you're in the area next year, it'll be the last weekend in April. Do go if the opportunity arises, and be sure to register early as the day accommodates only 53 registered participants, a small but mighty group.
Every workshop that I taught or attended at the Gathering of Poets was filled with 15-20 engaged, inquisitive, knowledgeable poets who had much to offer all the others in the room. The sort of gathering that brings about learning and friendships! If you're in the area next year, it'll be the last weekend in April. Do go if the opportunity arises, and be sure to register early as the day accommodates only 53 registered participants, a small but mighty group.
Thursday, March 20, 2014
Mar. 11: Reading & workshops at The Cooper School
The morning of
Tuesday, March 11, was my time at The Cooper School in West Ashley, near Charleston . First I gave a brief reading to a room
full of young students seated before me in a semi-circle on the floor. The room
was full of windows, so I had the joy of seeing the children's smiling faces
and, behind them, the sun shining on the lovely small campus. I read a few of
my poems and a couple by other poets.
Afterward I met
with two classes for workshops—a 4th- and 5th-grade class and a 2nd-grade
class. The first workshop had about 18 students and the other about 14—ideal
for a workshop to generate new poems. We wrote a group poem in each workshop
and then spent time starting individual poems. Such delightful, enthusiastic
students, who are lucky to have such dedicated, caring teachers. Thank you, Cooper School !
Wednesday, February 19, 2014
Tomorrow's poetry workshop: "Persistence and the Poem"
I'm
looking forward to teaching an OLLI at CCU workshop at the Litchfield Education Center tomorrow. Because it's
on "Persistence and the Poem," I've been thinking a lot about digging
deeper when writing a poem, not giving up on it too soon. It's hard to sit there and
keep at it when you don't know which way to turn, or what's working and what's
not, or how much of what you've written you'll have to ditch—but the thing is to
keep going. All those matters can be dealt with later. I like the idea of being
persistent. It's a good life lesson. And, hey, it's fun—if you consider the discomfort
of squirming in your seat fun.
It’ll
be my first time teaching in the new Litchfield Education Center . We’re a small class so
we’ll happily meet in the conference room around a big table. Nothing beats the
camaraderie and imaginative thinking that go on when a bunch of poets get
together.
Sunday, October 20, 2013
Nov. 9: Seminar for The Poetry Society of SC
The Epistolary Poem: Letters from Within
A Seminar
Susan Laughter Meyers, instructor
“Good letter poems are satisfying to steam open,” says poet Robin Behn. Though their subjects may seem ordinary, beneath the surface lies urgency. Written to an individual but meant to be read by many, they allow the poet to be both intimate and public. We’ll immerse ourselves in the epistolary—with discussion, writing, and letter poems, such as Jane Springer’s “Dear Blackbird” and Melissa Morphew’s “The Missionary Writes to Her Fiancé Concerning Blindman’s Bluff.” Let’s delve into the imagination—and, this time, strike up a correspondence.
_________________________
Saturday, Nov. 9
10 a.m. -- noon
The Charleston Library Society
164 King Street, Charleston, SC
Registration payable at the door:
A Seminar
Susan Laughter Meyers, instructor
“Good letter poems are satisfying to steam open,” says poet Robin Behn. Though their subjects may seem ordinary, beneath the surface lies urgency. Written to an individual but meant to be read by many, they allow the poet to be both intimate and public. We’ll immerse ourselves in the epistolary—with discussion, writing, and letter poems, such as Jane Springer’s “Dear Blackbird” and Melissa Morphew’s “The Missionary Writes to Her Fiancé Concerning Blindman’s Bluff.” Let’s delve into the imagination—and, this time, strike up a correspondence.
_________________________
Saturday, Nov. 9
10 a.m. -- noon
The Charleston Library Society
164 King Street, Charleston, SC
Registration payable at the door:
- $10 for PSSC or Library Society members
- $15 for nonmembers
- free for College of Charleston students
Queens University of Charlotte MFA alumni conference: Oct. 4 - 6
It was a treat to gather with other MFA alumni at the Queens campus to attend a weekend of seminars and socials. Debbie Scott and I took it all in and enjoyed ourselves immensely. At the open mic on Friday evening I had an opportunity to read a couple of poems from My Dear, Dear Stagger Grass for the very first time, and, yes indeed, it felt great!
Debbie and I both have joined the newly formed Alumni Council to offer suggestions for future alumni programs. Thanks to Fred Leebron and Michael Kobre, along with Melissa Bashor, for all the work it took to put this conference together.
Debbie and I both have joined the newly formed Alumni Council to offer suggestions for future alumni programs. Thanks to Fred Leebron and Michael Kobre, along with Melissa Bashor, for all the work it took to put this conference together.
Thursday, July 18, 2013
Hats off to Hub City! A few words about their Writing in Place conference
Last weekend's Writing in Place conference, offered by Hub City Writers
Project and held at Wofford College ,
was the 13th annual one—and what a wonderful weekend it was. Betsy Teter, the
brain and heart of Hub City ,
truly knows how to plan a conference. Lots of classroom time, of
course, for the workshops focusing on writing something new in the particular genre—but also
readings by faculty and workshop participants, casual receptions that gave
us time to get to know one another better, a panel on publishing, and a couple
of concurrent Sunday workshops on specific topics. Plus plenty of good food!
In the poetry workshop I taught—“An Arrival of Poems"—there were 13 participants: talented, dedicated poets who came together in the spirit of not only writing new work but also encouraging the others in the class with their own writing. I felt lucky to have such a congenial, hard-working group gathered together for our three sessions. Thank you, poets!
And thank you, Hub City, for this gift of time, as well as the chance for each of us to allow ourselves to wander off in a new direction with our writing, to try something we don't yet know how to do--to risk sounding clumsy and maybe even silly—but ultimately to trust that eventually it's all leading somewhere we need to go.
In the poetry workshop I taught—“An Arrival of Poems"—there were 13 participants: talented, dedicated poets who came together in the spirit of not only writing new work but also encouraging the others in the class with their own writing. I felt lucky to have such a congenial, hard-working group gathered together for our three sessions. Thank you, poets!
And thank you, Hub City, for this gift of time, as well as the chance for each of us to allow ourselves to wander off in a new direction with our writing, to try something we don't yet know how to do--to risk sounding clumsy and maybe even silly—but ultimately to trust that eventually it's all leading somewhere we need to go.
Thursday, May 02, 2013
College of Charleston Advanced Poetry Workshop
Debbie Scott and I enrolled in English 402, the Advanced Poetry Workshop III at the College of Charleston (CofC) this semester, and it was a true immersion for twelve or so weeks. We completed the course yesterday. Professor Emily Rosko, author of Prop Rockery and Raw Goods Inventory, couldn't have been any more teacherly--in a good way!--and focused on being sure that her students grew as poets, readers, critics, and students in general. For the course we read--and discussed and wrote commentary on--seven collections of contemporary poetry. We each led a class discussion of one of the books, and we each twice served as one of two critics for workshopping 5-8 poems of a classmate. We wrote at least a poem a week, sometimes in collaboration with a partner. And we critiqued the poems written by our collaboration partner. In other words, we were busy learning!
Here are the books we read: Tracy K. Smith's Life on Mars; Kathleen Peirce's Mercy; Beth Bachmann's Temper; Ann Marie Rooney's Spitshine; Shane McCrae's Mule; Mary Ann Samyn's Inside the Yellow Dress; and Wayne Miller's The City, Our City.
The capstone assignment for the course was to put together a chapbook of poems, of about 15-20 pages, and even to design a cover, write an artist's statement, include a table of contents/dedication/etc. I spent a good part of the last few weeks working on that--and a huge chunk of this past Monday and Tuesday trying to figure out how to sequence the pages correctly so that they could be printed out chapbook size in the right order. The process about drove me nuts; but by cutting and pasting a dummy copy, I finally managed to do it.
Thanks to all the bright young poets in our class for welcoming Debbie and me into their poetry lives--and especially to Emly Rosko for orchestrating and teaching such a wonderfully rich, thought-provoking course.
Here are the books we read: Tracy K. Smith's Life on Mars; Kathleen Peirce's Mercy; Beth Bachmann's Temper; Ann Marie Rooney's Spitshine; Shane McCrae's Mule; Mary Ann Samyn's Inside the Yellow Dress; and Wayne Miller's The City, Our City.
The capstone assignment for the course was to put together a chapbook of poems, of about 15-20 pages, and even to design a cover, write an artist's statement, include a table of contents/dedication/etc. I spent a good part of the last few weeks working on that--and a huge chunk of this past Monday and Tuesday trying to figure out how to sequence the pages correctly so that they could be printed out chapbook size in the right order. The process about drove me nuts; but by cutting and pasting a dummy copy, I finally managed to do it.
Thanks to all the bright young poets in our class for welcoming Debbie and me into their poetry lives--and especially to Emly Rosko for orchestrating and teaching such a wonderfully rich, thought-provoking course.
Wednesday, February 13, 2013
Poetry Workshop: Beyond Craft -- Feb. 21
POETRY WORKSHOP: BEYOND
CRAFT
Susan Laughter Meyers, instructor
Thursday, Feb. 21
10 a.m. – 2 p.m.
OLLI at CCU
Litchfield Exchange location
(exact venue TBA)
Register in person or online at webadvisor.coastal.edu (click on Continuing Ed)
$30, plus OLLI membership
How important is our poetry?
you live in.” —Hafiz
Susan Laughter Meyers, instructor
Thursday, Feb. 21
$30, plus OLLI membership
When
starting a poem, you are often writing blindly, not following a familiar path
or arriving at answers but moving in uncertainty. The overriding issue is not a
matter of craft—but how to proceed, how to find your way to the real poem.
Class packet included. Within two weeks after the workshop, participants have
the option of e-mailing a poem to the instructor for feedback. Lunch can be
brought or bought nearby. (You may want to bring your own lunch, since our
exact venue is uncertain.)
How important is our poetry?
“The words you speak
become the houseyou live in.” —Hafiz
Yes, we are
choosing words. But when we’re deep in the process of writing, they are partly
choosing us, too. Without measuring each move, we accrue sounds, rhythms,
meanings, connotations, and so much more along the way. Each of us and our words are building
something, the poem. It’s a makeshift hut we’re constructing in that first draft. Somewhere in our messy construction site is the real poem,
or the path to it, and our job is to find it.
Please come
join us for the workshop!
Friday, October 19, 2012
Saturday, Nov. 15 poetry workshop: Fishing for Poems
POETRY WORKSHOP: FISHING FOR POEMS
Susan Meyers, instructor
November 15, 2012
Susan Meyers, instructor
November 15, 2012
Thurs.,10 a.m. to 2 p.m.
Waccamaw Higher Education Center
160 Willbrook Blvd., Litchfield, SC
Waccamaw Higher Education Center
160 Willbrook Blvd., Litchfield, SC
In this writing workshop we’ll
be casting for poems, our method somewhat like throwing out a
fishing line in first one spot and then another. By the end of the
workshop, participants will have several poem drafts to take home for revision,
as well as new strategies for filling the poetry pail. Class packet
included. Within two weeks after the workshop concludes, participants
have the option of emailing a poem to the instructor for feedback.
Lunch can be brought or bought nearby.
XWRIT 524 W03
$30, plus one-time-per-semester $20 OLLI membership fee
To register: 843-349-6584
$30, plus one-time-per-semester $20 OLLI membership fee
To register: 843-349-6584
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